Simon Moretti

Simon Moretti is an artist and curator whose work deals with context and display through the use of appropriated images and archives.

Often collaborating with other artists, in more recent practice Moretti has explored the idea of collage. Speaking to traditions of collage and montage dating back to the nineteenth century, his work also references art history, psychoanalytic and cultural theory.

Moretti has exhibited widely, recent exhibitions include; The Enigma of The Hour: 100 Years of Psychoanalytic Thought, Freud Museum, London (2019), A Utopian Stage, to be free is to lose sight of the shore Dhaka Art Summit 18, Bangladesh (2018); Revolt of the Sage, Blain Southern London, UK (2017); The Camera Exposed, Victoria & Albert Museum, London, UK (2016); Dadadandy Boutique, Artprojx Space, London, UK (2008); The Art Parade, Deitch Projects, New York, USA (2007); The Sleep of Ulro, with Goshka Macuga, A Foundation, Liverpool Biennial, Liverpool, UK (2006); Thank You for the Music, Sprueth Magers, London, UK (2006); None of the Above, Swiss Institute, New York, USA (2004).

Simon Moretti is based in London, England.